Rhythm and Transforms
by William Sethares:
http://books.google.com/books?id=l3X9dqBz9jIC&dq=rhythm+and+transforms&printsec=frontcover&source=bn&hl=en&ei=BRuGTMbJLYKClAenn8C4Dw&sa=X&oi=book_result&ct=result&resnum=5&ved=0CCcQ6AEwBA#v=onepage&q&f=false
Watch the five Programs on Rhythm
in the series How Music Works
by Howard Goodall
on YouTube.
Write a short (half page) critique on the programs to be
handed in
Monday, September 27. Make some connections between the material we
covered in class and that covered by Howard Goodall.
Watch the performance by Seda Röder of the piece Ein
Kinderspiel Part 3/3 by Helmut Lachenmann on YouTube.
Write a short (half page) description of all the features of
music that you hear in this piece. Make some connections between the
material we
covered in class and this piece. To be
handed in
Monday, October 25. Try to listen to it with good quality headphones at
a loud volume.
Lecture
13:
Comparison of Afro-Cuban timeline musicological categorization
with that obtained with the edit distance and human perception
Geometric proof of Jensen's inequality
Automatic generation of "good" rhythms.
Maximally even sets
Euclidean rhythms
Euclidean strings
Leap year rules in calendar design
Reading Assignment
Read the paper: "A Visual Explanation of Jensen's Inequality," by
Tristan Needham, The American Mathematical Monthly, Vol. 100, No. 8,
October 1993, pp. 768-771.
Read the paper: "Prelude
to Musical Geometry," by Brian J.
McCartin, The
College Mathematics
Journal, Vol. 29, No. 5, November 1998, pp. 354-370.
Lecture
19:
Paper presentation by Zach Abramson
Universals in music
Categorical perception of rhythm
Auditory streaming (melodic fission)
Reading Assignment
Read the paper: "Universals in Music: A Perspective from
Cognitive Psychology," by Dane L. Harwood, Ethnomusicology, Vol. 20, No. 3,
September 1976, pp. 531-533.
Week 11 - Monday Nov 15 and
Wednesday Nov 17
Lecture
20:
Paper presentation by Gordon Briggs
More universals in music
Eric Regener's proof of the Hexachordal Theorem
Reading Assignment
Read the paper: "Prelude
to Musical Geometry," by Brian J.
McCartin, The
College Mathematics
Journal, Vol. 29, No. 5, November 1998, pp. 354-370.
Lecture
21:
Paper presentation by John Mazella
The memetics of rhythm
Structural characterization of rhythms
Almost maximally even sets
Kasner polygons
Shadow rhythms
Rhythm-shadow contour isomorphism
Spatial rhythmic resolution, metric dissonance, and Gestalt
de-spatialization
Reading Assignment
Read the paper: "A Spatial Theory of Rhythmic Resolution,"
by Neil McLachlan, Leonardo Music
Journal, Vol. 10, 2000, pp. 61-67.